| Crossings
offers a compelling account of two famous 20th century
maritime tragedies, the sinking of RMS Titanic in 1912
and MV Estonia in 1994.
The exhibition features new works by British artist
Stuart Brisley. Touching Black
Ice is a sound installation exploring the legacy
of the Titanic. Centred around a full-size sailing boat,
emotive soundscapes interweave with interpretations of
oral testimony from Titanic survivors. The boat forms
a symbolic centre-piece, a vessel charged with catastrophic
significance. (The boat is a beautiful hand-made 'Wagtail'
dinghy loaned by Hampshire-based Salterns Boatbuilders
- see below for more details. |

Stuart Brisley, 'Touching Black
Ice', 2008. Courtesy the artist. |


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Elsewhere a new film,
Estonia, retraces the circumstances surrounding
the more recent Baltic disaster. Revisiting the embarkation
points and sea routes of the MV Estonia, Brisley
combines filmed footage with his own spoken narrative
describing the event. The film is interspersed with diagrammatic
imagery of the ferry’s final movements, combined
with chilling radio exchanges between the sinking Estonia
and approaching ships.
The exhibition examines how these disasters reflect the
anxieties of the age in which they occurred. The Titanic,
with the loss of 1523 lives after leaving the port of
Southampton on its maiden voyage in 1912, shattered the
belief that the machine age would conquer nature. And
in 1994 the sinking of the MV Estonia Ferry in the Baltic
Sea, with 852 lives lost, has been surrounded by conspiracy
theories of military involvement. |
| The exhibition
provides a compelling account of two events that shook
the world at the beginning and end of the 20th century.
Stuart Brisley (1933- ) has been a
prolific contributor to the British and international
art scene since the 1960s as an artist, writer and educator,
whose highly-politicised practice encompasses performance,
object making, film and installation.
The exhibition will be accompanied by a new publication
with essays by Stuart Brisley, Stephen
Foster, Director, John Hansard Gallery, Andrew
Wilson, Curator of Modern and Contemporary British
Art, Tate, and Anders Härm, Curator,
Tallinna Kunstihoone, Estonia. The book will be launched
on 3 April - see events
for more details. |

Above and left: Stuart Brisley,
'Estonia', 2008 (stills). Courtesy the artist. |
| Stuart
Brisley: Crossings is a John Hansard
Gallery exhibition supported by The Henry
Moore Foundation and the Oral History
Unit, Southampton City Council. Sailing boat
kindly loaned courtesy Salterns Boatbuilders,
Bursledon, Hampshire.
About Salterns Boatbuilders:
"At Salterns, we take traditional designs, proven
over decades of use, and utilise modern materials and
the very best solid teak joinery to create practical boats
with a beautiful simplicity of form following function,
seaworthy and fast, with excellent performance."
About the Wagtail:
" The Wagtail has been reproduced from an old clinker
sailing dinghy, typical of the better sorts that were
built locally around the Solent from the 1920s to the
1950s. She has a tremendous hull form with a firm turn
to the bilge making her stable; a high bow and good freeboard
making her dry and a fine entry forward with a good flat
run aft giving the hull a good potential for speed. She
has a traditional gunter rig, easy to use, great for learning
but capable of satisfying the most experience sailor.
"
Salterns Boatbuilders Ltd Tel: 023 8040 7606
The Boatyard Email: salternsboatbuilders@flugel.co.uk
Salterns Lane Website: www.salternsboatbuilders.co.uk
Stuart Brisley
See more of Stuart's recent work, as well as records
of earlier sculpture, photographic and performance works
on the
England & Co website.
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Filmed Discussion
A filmed discussion between Stuart Brisley and
Stephen Foster, Director, John Hansard Gallery,
is available here in video stream, download audio, and video
and audio podcast formats. A transcription will be published
here shortly.
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